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Title:Hannibal Lecter and Philosophy: The Heart of the Matter
Format Type:Ebook
Author:
Publisher:eBooks
ISBN:0812699041
ISBN 13:
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Category:Philosophy, Psychology, Non fiction, Pop culture, Film, Cultural studies

Hannibal Lecter and Philosophy: The Heart of the Matter by Joseph Westfall

PDF, EPUB, MOBI, TXT, DOC Hannibal Lecter and Philosophy: The Heart of the Matter Hannibal Lecter the subject of best selling novels movies and the acclaimed TV series i Hannibal i is one of pop culture s most compelling characters In i Hannibal Lecter and Philosophy i philosophers come at Hannibal the way he comes at his victims from unexpected angles and with plenty of surprises .

What does the relationship between Hannibal and those who know him particularly FBI investigator Will Graham tell us about the nature of friendship Does Hannibal confer benefits on society by eliminating people who don t live up to his high aesthetic standards Can upsetting experiences in early childhood turn you into a serial killer Why are we enthralled by someone who exercises god like control over situations and people Does it make any difference morally that a killer eats his victims Can a murder be a work of art .

Several chapters look at the mind of this proud and accomplished killer psychiatrist and gourmet cook Is he a sociopath or a psychopath or are these the same Is he lacking in empathy Does his moral blindness give him compensating abilities the way literally blind people gain heightened senses Does it harm us that we are drawn into Hannibal s world by identifying with him

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The Kierkegaardian Author: Authorship And Performance In Kierkegaard's Literary And Dramatic Criticism (Kierkegaard Studies: Monograph Series), The Continental Philosophy of Film Reader, Hannibal Lecter and Philosophy: The Heart of the Matter, Foucault and Nietzsche: A Critical Encounter
Foucault s intellectual indebtedness to Nietzsche is apparent in his writing yet the precise nature extent and nuances of that debt are seldom explored Foucault himself seems sometimes to claim that his approach is essentially Nietzschean and sometimes to insist that he amounts to a radical break with Nietzsche This volume is the first of its kind presenting the relationship between these two thinkers on elements of contemporary culture that they shared interests in including the nature of life in the modern world philosophy as a way of life and the ways in which we ought to read and write about other philosophers br br The contributing authors are leading figures in Foucault and Nietzsche studies and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault Nietzsche relationship Specific points of comparison include Foucault and Nietzsche s differing understandings of the Death of God art and aesthetics power writing and authorship politics and society the history of ideas genealogy and archaeology and the evolution of knowledge, This study examines the problematic practice of authorship in the works of Danish philosopher and theologian Soren Kierkegaard whose infamous and invasive literary and stylistic idiosyncrasies must enter into any interpretation philosophical theological or literary The work offers a radically anti biographical reading of Kierkegaard s literary and dramatic criticism suggesting ultimately that the closest one ever comes to the real author of a written work is in an understanding of how all authors are themselves works of creative fiction br br, Hannibal Lecter the subject of best selling novels movies and the acclaimed TV series i Hannibal i is one of pop culture s most compelling characters In i Hannibal Lecter and Philosophy i philosophers come at Hannibal the way he comes at his victims from unexpected angles and with plenty of surprises br br What does the relationship between Hannibal and those who know him particularly FBI investigator Will Graham tell us about the nature of friendship Does Hannibal confer benefits on society by eliminating people who don t live up to his high aesthetic standards Can upsetting experiences in early childhood turn you into a serial killer Why are we enthralled by someone who exercises god like control over situations and people Does it make any difference morally that a killer eats his victims Can a murder be a work of art br br Several chapters look at the mind of this proud and accomplished killer psychiatrist and gourmet cook Is he a sociopath or a psychopath or are these the same Is he lacking in empathy Does his moral blindness give him compensating abilities the way literally blind people gain heightened senses Does it harm us that we are drawn into Hannibal s world by identifying with him, The first collection of its kind i The Continental Philosophy of Film Reader i is the essential anthology of writings by continental philosophers on cinema representing the last century of film making and thinking about film as well as all of the major schools of Continental thought phenomenology and existentialism Marxism and critical theory semiotics and hermeneutics psychoanalysis and postmodernism Included here are not only the classic texts in continental philosophy of film from Benjamin s The Work of Art in the Age of Mechanical Reproduction to extracts of Deleuze s i Cinema i and Barthes s i Mythologies i but also the earliest works of Continental philosophy of film from thinkers such as Georg Lukacs and little read gems by philosophical giants such as Sartre and Beauvoir br br The book demonstrates both the philosophical significance of these thinkers ideas about film as well their influence on filmmakers in Europe and across the globe In addition however this wide ranging collection also teaches us how important film is to the last century of European philosophical thought Almost every major continental European thinker of the twentieth and twenty first centuries has had something to say sometimes quite a lot to say about cinema as an art form as a social or political phenomenon as a linguistic device and conveyor of information as a projection of our fears and desires as a site for oppression and resistance or as a model on the basis of which some of us at least learn how to live br br Purpose built for classroom use with pedagogical features introducing and contextualizing the extracts this reader is an indispensable tool for students and researchers in philosophy of film film studies and the history of cinema